Dark Dark Dark The Snow Magic
out Oct 28 on Supply and Demand Music
It's Dark Dark Dark's first full-length release, and they've let their imaginations run wild! One frigid midwinter not very long ago, DDD found themselves spending a couple of weeks in a cozy Minneapolis house with a few nifty instruments, a brilliant drummer (Martin Dosh), and a talented recording guru / baker of delicious vegan cookies (Robert Skoro). The result is perhaps the most hopeful and romantic collection of songs you'll ever hear about death, lost love, despair, decaying corpses, and the harsh Minnesota winter.
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Dark Dark Dark Love you, bye.
BLN002/WAM004 CD
- $10
ALERT! Due to European wanderings, we will be unable to accept CD orders until late November! Check our NEWS page for more info.
This is the intimate sound of Dark Dark Dark at home -- recorded to analog reels in three days at Nona's mom's living room and the Bedlam Theatre. These five songs make an exceptionally cohesive collection, each with its own take on loss and loneliness.
Originally released in Europe by What a Mess Records, now Blood Onion is making it available stateside.
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Fall Harbor Songs from Fall Harbor
BLN003 CD
- $10
ALERT! Due to European wanderings, we will be unable to accept CD orders until late November! Check our NEWS page for more info.
C. Ryder Cooley and Todd Chandler (bassist of Dark Dark Dark) bring us a set of forgotten ghost songs in their debut as Fall Harbor. Laced with accordion and banjo, these haunting tales of love, danger, and decay are set to fragile melodies that seem equally suited to singing around an oil-drum campfire or humming to yourself while you freeze to death in the woods.
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Woodcat (s/t)
CD - $10
ALERT! Due to European wanderings, we will be unable to accept CD orders until late November! Check our NEWS page for more info.
Before his life in Dark Dark Dark, Marshall Lacount was in a band called Woodcat, along with Kirstin Grieve and Matt Lilyquist. Woodcat was a notorious fixture in the Minneapolis basement folk scene for a couple of years before disbanding.
On their self-titled release, dark dirges meet propulsive electronic drum beats and cello screams. These are anxious tales of impossible hope and latent violence.
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